I found this recent post by David Dower interesting and difficult for a couple of reasons. I have no idea David well, though we’ve got lunch before and are colleagues in the movie theater. I am happy he found a fresh post at Arena Stage in DC that he seems compelled by, and I am pleased he’s blogging. While I’m at it, I’ll dissent on various other engagement.
I’ve stayed out of the slug-fest that is the Olson-Daisey string. I’m not going to web page link it, that’s how much I’m remaining out of it. Why? The complete conversation is trapped before and seems to burn up important energy for actually continue. Everyone is absolve to employ or not necessarily, but it must be said that is part of how the status quo is preserved.
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While I’ve already commented here publicly about how that conversation may not have been the most polite, it was at least an full-throated and honest collision between the viewpoints of movie theater specialists, and between administrators and performers. If it feels “stuck before”, maybe that says something truthful about where in fact the world happens to be.
If more folks chimed along with constructive things to say, or built from the dialogue provided for you, perhaps something successful would occur. Or simply it has recently triggered reactions from others, as I understand they have, and been valuable that way. If it “burns up important energy”, I’d like to see the engaged discussions that are happening online between administrators and artists that are so lively that they make it superfluous. Point me to them, because I don’t see them taking place. The simple truth is, if it wasn’t a great conversation no one truly paid in time but myself and Mr. Olson.
But if we all find it unpleasant and distasteful and believe it does not have any value, it really is a choice for silence over engagement. The problem is not locked boxes for actor endowments or blowing in the buildings or turning more artists into administrators or whatever zero-sum proposal-du-jour causes a mini-stink in your blog and theater presses, (again, in my view). Mr. Dower has chosen to conflate two fairly compelling lines of inquiry (artist/administrator hybrids and lockboxed endowments for artist incomes) with BLOWING UP BUILDINGS, or as it is additionally known in America, local terrorism. David, do you truly collectively mean to conflate these? It’s insulting, and frankly, beneath you.
Judging from the top quality of your writing during your site, and even in this very post, I could only assume some desire to quickly and expeditiously discredit two of the proposal by connecting them with terrorism. It’s painfully cheap and clear. The truth is that lockboxed endowments or designer/administrator hybrids are more than a “proposal-du-jour” significantly.